Hi folks,
I have a print I would love information on, specifically possible worth, but any information you could provide would be greatly appreciated.
Christies already gave me the form letter rejection when I checked with them.
I have the following information about it:
What: Large matted and framed etching on vellum published 1905. Based on a detail of Meissoner's Friedland (image of central group including Napoleon.) Possible proof impression. *(see below)
Publisher: Charles Klackner, New York
Artist: C. A. Coppier after JAE Meissoner's Friedland 1807. Signed in pencil by Coppier in lower right.
Year: 1905
Markings: Copyright date, publisher (C. Klackner, NY) name and address along left upper print margin. On right upper margin "Published 1905 by C. Klackner, 12 Haymarket, London, Imprimerie A. Solman, Paris" wide full margins as published in New York by Klackner
Size: 39.5 in x 45.5 x 1.5 (including frame) Image size is 23.25 inches high (including the flags at the bottom) and 28 inches wide.
History: Given to me ~20 years ago. Professionally restored in 2002 through Burnt Mills Gallery in NJ. They sent it to a restoration specialist in NYC. They told me this was a print after Meissoner and it is on vellum. Image had been stretched across cardboard in a drum fashion. Print is in the original frame with original glass, but the matting is now archival and print is laid flat.
Vellum and mats are slightly off white, but there are no obvious stains or discolorations. Color in full size attached image is yellowed due to lighting.
Image is clear, clean. Some bubbling of vellum noted depending on humidity.
Back is professionally enclosed from the framing shop.
*
The 19th Century 'Proof': During the latter nineteenth century many major publishers of engravings and etchings in both England and America issued a small number of 'proof' impressions before publishing the regular edition. Proof impressions were struck before the title of the work was added along the lower margin and were printed on superior papers -- usually china, Japon or vellum. As well, proof impressions were the only etchings to be signed by hand by the etcher or designer, or both. The New York publisher, Charles Klackner, usually issued proof impressions signed by his artists and designers.
I truly do appreciate any information you have or directions you can send me in!
