This will help out!!!!!
Francis Simon Alphonse Giroux, cabinetmaker and official restorer of Notre Dame, “Maison Alphonse Giroux” also known as “Giroux & Cie” specialized in producing ornate objects d’art and technically sophisticated furniture. Patronized by various members of the French Royal Family, including Louis XVIII, Charles X, Henri V, and Napoleon III, the design house was particularly known for fine ormolu, japanning/lacquer work and exquisite furniture.
The business was taken over by his eldest son,
Alphonse Gustave Giroux in 1838. Under his guidance and innovative planning, the business grew to become one of the first and most prestigious department stores in Paris, while continuing to take important commissions for custom work. Pieces made for the department store were marked “Maison Giroux,” while Alphonse Gustave Giroux signed commissioned pieces himself, as in the case of this assiette signed “Mon. Alph - Giroux Paris.”
Alphonse Giroux was fascinated with mechanics and new technology. Alphonse Gustave received a silver medal at the 1839 Exposition des l’Industrie Francaise and produced pieces for the World Exposition of 1855. Some of his most unusual known creations are: a mechanical clock-work horse and carriage for the crown prince, an automaton of a violin player seated on a barrel and a lavishly detailed lifelike doll wearing a regal gown and crown of antique fabrics with seed pearls, presented at the 1867 Paris Universal Exposition to represent the glorious legacy of French Royalty.
Of additional historical significance was Maison Giroux’s role in producing the first commercial camera under the direction of Mr. Daguerreotype, which forever changed visual history and revolutionized the art world.
The first practical photographic process, Daguerreotypes, aptly called a “mirror with a memory,” definitively changed the way humans perceive the visual world.
The first daguerreotypes were mirrored images, but nonetheless depicted reality with astounding accuracy – unattainable by earlier techniques. Paintings, engravings, drawings, and sculpture could emulate reality but were always filtered through a human lens. For the first time it was possible to capture an objective, scientific image.
http://urbanchateau.com/library/articles/giroux
